The Bride Said No expands upon the rich sonic palette of Courting the Widow by integrating expansive symphonic arrangements with lyrical melancholy and proto-metal riffage, not to mention dashes of funk. “The album has some ’70s sounds and a little bit of ’80s in there as well, but it’s really contemporary and very much of the here and now,” Nad says. “I also continued with the [Genesis keyboardist] Tony Banks vibe I got with the ARP Pro Soloist [synthesizer], which I also used on ‘Carry Me Home’ from the previous album.”
Establishing a solo identity after many years as ensemble specialist can be difficult in the progressive music arena, but vocalist/keyboardist Nad Sylvan is proving up to the challenge. Sylvan ups the ante with The Bride Said No (InsideOut Music), his second outing in a projected trilogy that follows the “vampirate” story conceptual thread launched in 2015’s Courting the Widow. (Sylvan hopes to have the third album finished and released by fall of 2018.) Want to read the rest of the article? Buy current issue No. 73 and subscribe to Progression! >Click here |